Austenacious
Jane will keep us together.

rochester

Well, Charlotte, you’ve won.

The Brits—who, of course, invented romance, what with all that sweeping around the moors, plus Charles/Diana and the classy trysts we see in Hello! magazine—have voted Jane Eyre‘s Mr. Rochester the most romantic man in literature, bumping our Mr. Darcy down to number-three status. In an impressive display of gracious victory, Andrew McCarthy of the Bronte Parsonage Museum at Haworth called Darcy (and everybody else in Jane’s world, which is a nice touch) “irritating.” We love you, too, Bronteites!

They’re not wrong, of course. As a romantic hero—and especially as a Romantic hero—Rochester’s brooding and breathy ways wipe the floor with Darcy, who is only awkward and devoted and does not lie about keeping a crazy wife locked in the attic. Rochester, after all, has the choice of wealthy and accomplished ladies, and turns his back on all of them to marry the plain and earnest governess—and acts as if she’s everything he’s ever wanted, singlehandedly turning her from dreary and dutiful orphan to love-story heroine. Darcy comes around eventually, but the grand gesture and love for the sake of love (flying in the face of social convention) isn’t what he’s about—and I’d propose that Jane (Austen, not Eyre; this is getting confusing) wouldn’t have him any other way, not being one for the Brontes’ brand of gushiness in the first place. In any case, does Lizzy hear Darcy’s supernatural voice echoing through the Lake Country, calling her back to her true love when she’s homeless and sleeping under a bush? No. No, she does not. So case closed, really.

Incidentally, Jane Austen’s contemporary Lord Byron comes up a lot in these conversations, which I suppose is all well and good if you want a “mad, bad, and dangerous-to-know” Sixth Baron poking about in your love life. Personally, I’m on the fence about this.

What I’m not sure about is whether they should be asking us about romance at all—if this list is any indication, we sure know how to pick ‘em. Clearly, we like the bad boys, and not without—let’s just say it—a bit of a masochistic bent. Rhett Butler? Heathcliff? I’m almost surprised Darcy’s ranked so highly–the good guys, the ones you’d eventually take home to meet your parents, are most definitely towards the bottom of the list (this, of course, being the crux of the issue—if they’d do okay at brunch with Mom and Dad, to paraphrase Harry Burns, perhaps “humpin’ and pumpin’ is not [their] strong suit”). What do we think about this, readers? Does romance generally equal a certain sense of choosing to be dominated? Is our love of exotic literary men our safe way of indulging the desire for a romantic (but not particularly kind or respectful) hero in our lives? Do we really think Heathcliff is that hot?

In any case, Bronte fans, congratulations—truly. But if we catch you outside our windows, moaning our names in the night, we’re taking the trophy back. You’ve been warned.